by Jim Raymond, Fort Worth, Texas

     Wisely and with great execution, Lincoln had adhered since its inception in 1921 to the automotive maxim, Length times Width times Weight equals luxury.  But by 1980 this formula would instead equal violation of federal standards.  Corporate Average Fuel Economy (CAFE) requirements and emissions regulations were to become ever tighter during the new decade and Lincoln could no longer make a vehicle of the traditional luxury size.

     But there was still 1979.  The last of the big ones.  And so they created the Collector’s Series, … “to epitomize and commemorate this elegant, era of the traditional Lincoln”, stated the 1979 brochure.  Available as an option package on both the Lincoln Continental and Continental Mark V, this car would include as standard equipment, a far greater number of features than any other 1979 Lincoln, and even some not even available on any other Lincoln. They would truly achieve their goal.

    Establishing a “drawing room” feel for the interior, Lincoln covered the seats with unique “Khasmin II luxury cloth”, an automotive fabric of the highest quality for the time. Leather was also available. But Khasmin II was not limited to the seats, as Lincoln also used it to wrap the interior garnish moldings and sunvisors. And rather than vinyl for the headliner, Lincoln chose Harvard cloth, another fine fabric. Cushioning the occupant’s feet was 36 ounce Tiffany-cut pile carpeting. This was twice the weight of the floor carpet in the standard Lincoln Continental. Meeting the eyes directly, the padded portion of the dash in the Mark V was covered in real leather, and both the Lincoln Continental and Mark V had a steering wheel with a wood grain insert. To protect the owner’s luggage, the trunk was lined with 18 ounce carpet, the same weight as that used in the interior of the standard Lincoln Continental. Further complimenting the trunk ensemble was a leather-bound tool kit. Protecting the owner’s manual was a handsome leather covering, and protecting the owner himself was a navy blue collapsible umbrella. All of these features were unique to the Collector’s Series cars, as they were not even available on any other Lincoln.

    Visible to the general public, the exterior was decorated with triple pinstripes (as opposed to double on other Lincolns), a gold-tone grille, coach lamps, and turbinestyle cast aluminum wheels. Two colors were primarily offered for the Collector’s Series, navy blue, and white. However a handful were painted silver metallic (color code 1Y) and a handful, diamond blue metallic (code 38). All Collector’s Series have “Collect” stamped on the cowl tag and include the color code.

    To be a true luxury car, it must be replete with a host of servants available to one’s beck and call. Thus, in addition to the features on a Continental, standard equipment on a Collector’s Series included the following:

• Automatic headlamps
• Automatic high beam dimmer
• AM-FM stereo 8-track
• Power antenna
• Rear window defroster with heated outside mirrors
• Lighted vanity mirrors, left and right
• Tilt steering wheel
• Cruise control
• Illuminated entry system
• Remote control garage door opener
• Overhead dual beam map/dome lamp
• Power door locks
• Power mini-vent windows
• Delay wipers
• Remote trunk release
• Right-hand remote-control mirror
• Coach roof
• Wide band white sidewall tires

    Available as options were traction-lok differential, four-wheel disc brakes with Sure-Track (anti-lock on the rear), engine block heater, heavy duty battery, illuminated outside thermometer, fixed glass moonroof or power moonroof, CB radio, trailer towing package, and leather upholstery. With so much standard there was little left to add.

    And so in all respects, Lincoln created a car that epitomized “what a luxury car should be” and which commemorated the era of the traditional-sized luxury vehicle. It truly was conveyance in the grand manner.

Edited by Tim Howley from information supplied by William E. Kortsch, 1942 Lincoln historian.

    1942 Lincolns arrived in showrooms on September 30, 1941 and were continued in production through February 1, 1942. In keeping with the industry’s trend to a bolder, more massive front end look and extreme art deco styling, Lincoln introduced an extremely horizontal front end theme for 1942 and an instrument panel not unlike that of the 1942 Cadillac. The broad shouldered frontal treatment, huskier fenders and stronger trim all around gave the 1942 Lincoln-Zephyr, Custom and Lincoln Continental a heftier look than the two previous years while retaining the basic 1940-41 unitized body /frame. The car was also slightly lower, wider and longer than 1940-41.

    Overall width was increased approximately 4.5 inches due to wider tread and wider fenders. The overall length was increased approximately seven inches because of the step-out for the lower grille assembly and projected design of the rear. The car was one inch lower made possible by the use of longer and lower springs and lower camber. 15-inch wheels further contributed to the lower profile. The new radiator grille had a catwalk lower section and stainless steel horizontal strips in both the upper and lower sections. This was the first time that the Lincoln-Zephyr had a horizontal bar grille theme since 1938. The left and right sides of the grille were separated by a narrow three row vertical bar with the numeral “12” recessed at the top. The bottom of this recess was highlighted with red paint. On the exterior ends of the lower grille there were three narrow “cat’s whiskers” as accent pieces.

    The name “Lincoln-Zephyr” appears nowhere on the car, and this was the last year that the Lincoln-Zephyr was designated as such.

    Larger new front and rear bumpers and bumper guards with large built-in gravel deflectors were used, replacing the very fine line bumpers of previous years. The hood ornament was a distinctive departure from 1941. Also, the  Lincoln coat of arms emblem was used for the first time. The word “Lincoln” was mounted on the front of the hood directly below the coat of arms. The word “Lincoln” was recessed in block letters into a rectangular chromed bar. The recessed letters were filled with red paint. The Lincoln-Zephyr hood sides carried two long, wide chromed, pot metal strips with a “12” sandwiched between them. The Lincoln Continental carried only the words “Lincoln Continental” in red trimmed script towards the back of the hood sides. Headlight rims were restyled with built-in parking lights and turn signal indicators. The license plate was now recessed in the center of the front bumper. Nearly all body panels were new except the doors on the Lincoln Continental. Rocker panels were incorporated underneath the doors to insure perfect sealing of the bottoms of the doors on the Lincoln-Zephyr and Custom, but not the Lincoln Continental. There was new design stainless steel belt molding on the body sides of the Lincoln-Zephyr and Custom with an attractive flair at the rear of the body. There was new treatment of stainless steel moldings running along the bottom of the body below the doors from the front to the rear fenders. New stainless steel trim moldings were placed above the window reveals extending from the front to the rear. Push buttons were now standard on all body types, replacing pull type door handles. Outside door handles were now available as special equipment only.

    New hub caps, larger in size, covered the entire wheel hub and carried the name “Lincoln” recessed in block letters painted red into a rectangular bar mounted on the hubcaps. New rear fender skirts where much easier to remove and reinstall than on previous models.

    There were six new body colors furnished in rich baked on enamel. They were Chetwin Beige, Andover Green, Victoria Maroon, Suwanee Green, Bristol Blue, Black, and Darian Blue and Sheldon Gray which were metallic colors.

    The instrument panel was completely redesigned so that the speedometer and clock were large round pods of equal size flanking the radio grille. The gauges were placed to the left of the speedometer and the name “Lincoln” was placed to the right of the clock on the glove box lid. The glove box door was illuminated at night to balance the lighted gauges. This light also illuminated the inside of the glove box. On Lincolns equipped with Liquamatic the glove box emblem read “Liquamatic” instead of Lincoln. The Lincoln- Zephyr and Lincoln Custom one -piece instrument panel had a raised section in the middle to give it depth. The instrument panel was finished in a mahogany burl grain as were the window garnish moldings. Burled walnut grain was repeated on the back of the front seat. Most other trim pieces were finished in mahogany metallic. Lincoln- Zephyr instrument controls were finished in chrome with ivory plastic knobs.

    The steering wheel was finished in ivory plastic to harmonize with the control knobs. The horn ring was now a full circle instead of a half circle. The horn button was a new design for 1942.

    The Lincoln Continental carried the general instrument panel design of the Lincoln-Zephyr, but the panel was flat and painted the body color instead of being dimensional and finished in a burled walnut grain. The Lincoln-Zephyr convertible instrument panel was painted body color. Interior accents in the Lincoln Continental and Custom were gold plated or finished with a gold macoid lacquer, not chrome plated like in the Lincoln-Zephyr. Automatic choke, vacuum window lifts, and folding arm rest in the rear of the coupe all were standard equipment on the Lincoln Continental and Custom. Lincoln-Zephyr convertibles also had hydraulic window lifts.

    The Lincoln-Zephyr standard interior on closed cars was Heather Blue Broadcloth or choice of two cords— Novelty weave tan cord or Blue and taupe mixed cord. There was also a custom interior with four shadow stripe broadcloth upholstery combinations in blue, tan, maroon or green. This was for seats, seat backs and sidewalls up to the belt line. Headlining, upper doors and package shelf were in contrasting colors of broadcloth, except tan, which was tan throughout. The Lincoln-Zephyr convertible interior was available in all leather seats in green, tan, blue or black or leather bolsters with cord inserts, all in the same four colors. Optional was any cord with black leather. The Lincoln Custom interiors were blue, green or tan point stripe broadcloth, or mixed red cord, or could be custom ordered. The Lincoln Continental Cabriolet interior was available in green, black, blue, red or tan leather or any of these leather colors in combination with blue cord with blue leather, green cord with green leather, or tan cord with tan leather or red leather. 1942 was the first year that whip cord was used on the headlining of the Continental Coupe in lieu of broadcloth when the vehicle was ordered without a full leather interior. Top material for both the Continental and Zephyr convertible was canvas in black or tan.

    For 1942 the engine was bored out .062” to the 2.937” maximum resulting in a displacement increase from 292 cid to 305 cid. This was done to achieve competitive performance and to compensate for the increased weight of the vehicle. Many makes went to cast iron pistons for 1942. Lincoln continued to use cast alloy steel pistons. (The car on this page is Bob and Jean DiCarlo’s 1942 Lincoln Continental Cabriolet which won a Ford Motor Co. Trophy at t h e 1 9 9 9 E a s t e r n National Meet at the Nevele Grande Resort & Country Club in El l e n v i l l e , New York. In the background of the top and bottom photo is the resort’s ski lift. Bob bought the car fully restored. He does not know the car’s history or its condition before restoration.)

Horsepower went up from 120 to 130, but compression ratio went down from 7.2:1 to 7.01. The reason for the reduction in  the compression ratio was the return from aluminum heads to cast iron which resulted in higher operating temperatures. To further improve cooling the radiator core was made two inches wider. The cylinder block bore increase resulted in a high rate of block rejections, so early in the 1946 model run Lincoln returned to the 292 bore. Other engine changes were an increased rod bearing diameter, a new flexible flywheel (except in Liquamatic equipped cars) which smoothed out engine vibration, increase in carburetor jet size, redesigned intake manifolding and a large side-mounted oil bath air cleaner for better breathing. The vacuum brake for the distributor was now taken off at the carburetor base instead of the intake header which tended to reduce engine roughness on deceleration.

    As mentioned earlier, the wheels were reduced in diameter from 16 inches to 15 inches. This resulted in a one-inch reduction in the car’s height. Front tread went from 56.5” to 59”. The length of the front spring went from 44 1/2” to 45 1/4”. The sway and torsion bar was made heavier and longer to accommodate the increased tread and spring length. The axle ratio went down from 4.44:1 to 4.22:1 except on cars equipped with Liquamatic drive. The overall length of the 125” Lincoln-Zephyr was 217”—an increase of 7.8”. The overall width went from 73.38” to 77.82”.

LIQUAMATIC DRIVE.

    According to Mike Gemer’s records 273 1942 Lincolns were equipped with Liquamatic Drive, a combination of liquid fly wheel, a special semi-automatic transmission and automatic overdrive eliminating 75% of ordinary driving motion. Liquamatic drive was a $ 189 option developed in a crash program to compete with GM Hydra-Matic and Chrysler’s Fluid Drive. Supposedly 744 Mercurys were Liquamatic equipped. The Liquamatics were so troublesome that virtually all were replaced at no cost to the owner with standard transmissions. To the best of our knowledge only one Liquamatic unit survives, and that one is not in a car.

    Standard equipment included rear fender skirts, turn indicators front and rear, and electric clock. On Lincoln Continental Cabriolets a beveled edge, glare resistant outside mirror was also standard equipment.  Options were Liquamatic Drive or Automatic Overdrive, new Adjust-OMatic Radio with foot control and touch bar tuning, automatic dash mounted pushbutton vacuum actuated radio antenna, hot air or hot water/heater defroster, custom made seat covers, new spot light, road lamp, outside rear view mirrors, visor vanity mirror, electric windshield wipers, license plate frames, stainless steel wheel bands, rear bumper center guards and gas tank locking cap. Automatic choke was standard on Lincoln Continentals and Lincoln Customs, optional on Lincoln-Zephyrs. Vacuum actuated window lifts were standard on L i n c o l n Continentals and Customs, optional on Lincoln-Zephyrs.

It is unknown how many 1942 Lincolns survive. The 2000 Lincoln & Continental Owners Club Directory lists 21 Lincoln Continental Cabriolets and 39 Lincoln Continental Coupes, three Lincoln-Zephyr coupes and four Lincoln- Zephyr sedans. The only 1942 Lincoln-Zephyr convertible listed belongs to Mike Gerner in Minnesota. Gerner probably has the world’s largest collection of 1942 Lincolns, five. While no Lincoln Customs are listed in the LCOC Directory, two are listed in the Lincoln-Zephyr Owners Club Directory. This directory also lists one Brunn Town Car, 13 three-window coupes including two in LCOC, five club coupes including the one in LCOC, 13 sedans including the three in LCOC and five convertible coupes including Mike Gerner’s. An educated guess is that less than half the 1942 Lincoln Continentals extant are in LCOC and only a fraction of the Lincoln-Zephyr s extant are in LCOC. An obvious question is why is the survival rate of the 1942 Lincoln Continentals so much higher than the Lincoln-Zephyrs when so many more Lincoln-Zephyrs were built? The probable answer is that Lincoln-Zephyrs, 1940-1948 were sacrificed to restore the Lincoln Continentals and still are being sacrificed to restore them. The Lincoln-Zephyr was not a car that was saved until the Lincoln-Zephyr Owners Club was founded in the ‘60s.)

    Only 6,545 Lincolns were produced for the 1942 model year, making it the lowest production of all the low production 1942 makes except the Crosley.

Events of the Year 1942

1942 was not exactly a happy year. On January 2 the Japanese landed in Manila eventually forcing the surrender of the American-Filipino forces at Batan Corregidor. Meanwhile Jimmy Doolittle and his airman raided Japanese coastal cities. U.S. Army and Navy forces attacked Guadalcanal and the Solomon Islands in August and later in the year won a decisive battle at Midway. Halfway around the world allied forces invaded North Africa and began bombing Italy.

Everything from food, clothing and raw industrial materials to candy bars and chewing gum was rationed. If you had a new 1941 or 1942 car you couldn’t drive it very far because gasoline was rationed. Air raid blackout drills were practiced everywhere, and on the west coast there was almost a panic that the Japanese would launch another surprise attack. The French luxury liner “Normandie” burned February 9 at her pier in New York. 491 people were killed in Boston’s Cocoanut Grove fire on November 28. Nevada’s six-weeks-residence divorce decree was upheld by the U.S. Supreme Court on December 21.

Bing Crosby’s White Christmas became the most popular song of the year and the decade when it was introduced in the 1942 movie Holiday Inn. Other popular songs of the year were Lamplighter’s Serenade, Paper Doll, That Old Black Magic and You’d Be So Nice to Come Home To. Motion pictures of 1942 included Mrs. Miniver with Greer Garson and Walter Pigeon, The Pride of the Yankees with Gary Cooper and Yankee Doodle Dandy with James Cagney. On January 16 Carole Lombard was killed in an airplane crash while returning home from a bond drive. Husband Clark Gable was devastated, but eventually went back on the set to complete Somewhere I’ll Find You with Lana Turner, a movie with sad overtones of Gable’s misfortune.

By Chris Dunn, Continental Comments magazine, March/April 2020

     In September, 1980, when I purchased a 1969 Lincoln Continental sedan from the original owner, Robert Buttmi in Treasure Island, Florida, he told me the story of how he ordered the car from Carlisle Lincoln-Mercury in Clearwater, Florida with every available option including “new Town Car ultra-luxury interior option” and the matched set of luggage.

     However, my purchase of the car in September, 1980 would not include the luggage as he wanted to keep this for their 1970 Mark III he bought new for his wife. Mr. and Mrs. Buttmi were so nice they said I could use the luggage set whenever I wanted to take it in the trunk to car shows, so I did take advantage of their offer once when I took the car to the Florida-Georgia Lincoln Car Show in St. Augustine, Florida in April, 1981.

     We stayed in contact over the years and they knew I was interested in purchasing the luggage set. Mrs. Buttmi stopped driving the Mark III 10 years ago but son Doug kept it in running condition for short local trips in the neighborhood only. He called in August, 1999 to tell me that his dad had passed away in 1997 and his mom was ready to sell the Mark III and the luggage set along with it. I was able to purchase the set but passed on the Mark III for now. It was worth the 19 year wait as now I have this rare luggage set to display in the trunk of my mom and dad’s 1968 Lincoln Continental two door coupe. The 1969 Lincoln Continental brochure shows the 12-piece luggage set displayed on the ground in back of the trunk.

This is the only one of this custom built for 1939, and it is one of two Classic K Lincolns owned by Jerry Capizzi.

By Tim Howley, Continental Comments magazine, March/April 2020

Our front cover car is Jerry Capizzi’s 1939 Willoughby Sport Sedan which was photographed at the 1998 Mid-America National Meet in Itasca, Illinois where it won a Ford Motor Company Trophy. The car was again entered at the 1999 Eastern National Meet in Ellenvillle, New York where it won a Senior 1st.

    The 1939 Lincoln K had its origins in the 1932 Lincoln KA and KB chassis and the 1934 KA and KB V-12 engine which displaced 414 cubic engines. This was really the 1933 KA engine with the bore increased from 3 inches to 3.125 with the stroke remaining at 4.5 inches. Displacement was midway between the old KA and KB engines. This engine delivered the same 150 hp as the KB V-12 and was slightly more economical to operate, as if any K Lincoln was bought for economy. The new engine had aluminum heads, an oil cooler working off the water pump and insert bearings for the first time. The compression ratio was 6.278 to 1 which was high for the day.

This was the last Senior Lincoln engine, the only significant change being the introduction of hydraulic valve lifters and a revised camshaft profile in 1937. Arguably, this engine was actually an improvement over the KB engine.

    In 1935 Lincoln introduced streamlined new bodies which were to last through the end of production, 1939. The radiator cap was moved inside and the greyhound became a permanent ornament.

 There was a new longer radiator shell with a honeycomb mesh grille, more fully crowned fenders, a longer hood with thermostatically controlled shutters, new and longer bullet-shaped headlamps with painted shells, integrated parking lamps and a sloping rear-end treatment.

    The instrument panels were completely redesigned with all instruments clustered in two large dials directly in front of the driver. Seven factory body styles were carried on the 136-inch wheelbase and twelve on the 145-inch wheelbase. Lincoln continued using such custom body builders as Derham, Dietrich, Holbrook, Locke, LeBaron, Murphy, Waterhouse and Willoughby.

    1936 models were little changed from 1935. 1937 models were new again and featured headlamps incorporated into the fenders and a new horizontal styled instrument panel painted to match the body color. 1937 was the last year of major change for the big Lincoln. Edsel Ford, a few years later said, “We did not stop producing luxury cars. People stopped buying them.” Edsel continued offering the K for as long as he could and let the market dictate its fate. 1937 production was a mere 977. No more than 450 Ks were built for 1938 and somewhere between 133 and 233 were built for 1939. A few of these were sold as 1940 models, but there were no changes for 1940, nor were any built in 1940 to my knowledge. So as America and the world moved closer to war the senior Lincoln faded away like the proverbial old soldier.

Willoughby was one of Lincoln’s many custom body builders dating back to the ‘20s. Willoughby stayed with conservative sedans, limousines and town cars. Prior to the K models Willoughby’s offerings were as conservative as Judkins. But with the K Willoughby’s tune changed. While the conservative limousine model was continued to the end it was overshadowed by the new more up to date Willoughby models. In 1934 Willoughby offered a new design, a Sport Sedan on a 145-inch wheelbase. This model was available again in 1935 and 1936 with about 15 cars built. The model had a low profile V-windshield and huge fastback, some would say “whaleback”. The Willoughby Sport Sedan was designed to transport two couples in utter splendor to the opera or theater. To this end there were four individually adjustable armchair seats. Solid Honduras mahogany or walnut was used as window moldings and in the elaborate console separating the rear compartment. Base woods were accented with rather loud and busy veneers and birds-eye maple. The partition cabinetry consisted of a combination writing desk and picnic table with locking wooden cabinets for bar equipment on either side.

    The Willoughby Sport Sedan offered the finest upholsteries with very heavy fabrics. Willoughby Sport Sedans featured some of the finest and most luxurious two-tone upholsteries with the lighter color used for the door panels and headliners. Willoughby color schemes were taupe, deep blue and two shades of sea green. Then in 1937 Willoughby came out with an updated Sport Sedan, much like earlier models but rather more streamlined. It was accompanied by a Sport Coupe. In addition, Willoughby reintroduced their Panel Brougham. It is believed that about 11 of these Sport Sedan bodies were built, painted in white prime, and stored for future sale. Six were sold in 1937, four in 1938. Willoughby went out of business in 1938 and all of its remaining bodies, including the one Sport Sedan were auctioned off. It is believed that Lincoln bought these bodies plus the five passenger coupes and Panel Broughams. It is unknown who bought the Jerry Capizzi car originally. It is certain the Capizzi car was delivered new in New York City. Most likely it was put up on blocks during World War II as it had only 38,000 miles on the odometer when a collector from Connecticut bought it from a Lincoln agency used car lot in 1948. A few years later the car went to Texas where it was used as a fun car for many years. It was found in Duncanville, Texas in 1968 by automotive historian Richard Bums Carson. The car was then bought by Byron, California collector Allan Jones. (Byron is about 50 miles east of Oakland, near Stockton.)

The car was painted black, who knows when. When Jones decided to do a complete restoration under the black paint he found a creamy light green. Factory records revealed that the car was originally delivered with the chassis and body painted “Palm Beach Gray” which was a light gray-green. But under this color was found a darker green on both the body and chassis, and this matched another factory color called “Laurel Green”. In all probability Lincoln took the body from Willoughby in white prime and painted it and the chassis in the darker green. Quite likely the original buyer specified the lighter green so the body and chassis were repainted. Lincoln factory records in the Ford Archives show the car as body type 421, 12-7808, color Palm Beach Gray and Trim labeled Special. The number 421 is the Willoughby Sport Sedan as designated by Lincoln. The Special meant in this case wool broadcloth upholstery with contrasting leather piping and Super Wilton carpeting. The cushions of the seats are eider-down-filled making them more like sofas than car seats. Both the front and back seats are adjustable. The bottom and back seat cushions are split. The back seat back cushion folds down for access to the trunk. When the back seats are adjusted out, it’s like sitting in a recliner. A switch just below the rear window allows the trunk light to be turned on. The trunk light also comes on when the deck lid is opened.

This car of course has the famous Willoughby Sport Sedan mahogany partition cabinet/console with its writing desk and a cabinet on each side. “His” and “Her” vanity cases are incorporated into the quarter panels and have indirect lighting and beveled mirrors. While many other Willoughby Sport Sedans were trimmed with bird’s eye maple, this car has only mahogany inlays in a mahogany background. The door and window moldings are also finished in mahogany with mahogany inlays making this interior a bit conservative by Willoughby Sport Sedan standards.

    The car has dual side-mounted tires which were an option on even the Willoughby after 1937. There is also space for a spare tire in the trunk presumably because the side-mounted tires were primarily decorative and the tires were extremely hard to remove from their cases without scratching the paint. The trunk is fully carpeted. Tail lights share their housing with the brake lights and also act as backup lights via a special switch which is activated when the car is put in reverse. Parking lights are behind large lenses in the front fenders, just above the headlights.

    I saw this car in about 1975 in Byron, California when Jones was in the process of restoring it. Ray Warshawsky bought the car from Ray Jones in the ‘70s. The Blackhawk Collection in California bought it from Warshawsky at an auction, and Capizzi bought it from Blackhawk. This lofty Lincoln is now 61 years old, and because the K Lincoln had no changes after 1937 it looks even older. The car harkens back to the beginning of World War II when Hitler took Austria and Poland and the Big Band era was in full swing. But more likely this car carried its occupants in top hats and tails to an opening night on Broadway or to the Metropolitan Opera.

Driving Impressions

Quite frankly this is a car which is more enjoyed in the back seat sipping champagne from a bucket of ice in the vanity than from behind the gigantic steering wheel. The instrument panel is almost stark and the entire interior seems so conservative even by 1939 standards.
The car is not difficult to steer in town due to its 17-inch steering wheel and slow turning ratio, but parking at a curb between cars is best left to a Greyhound Silversides bus driver. The car moves like silk through the gears and is a pleasure to drive on the highway at 65 mph. While rear vision is poor and even the front fenders are barely visible, the driver has a fine view of the Lincoln greyhound hood ornament which was designed by Gorham silversmiths.
The straight front axle and half elliptical springs front and rear will not let you forget that this is a car engineered in a much earlier era. Coupled with these is a frame better suited for a Mack truck, huge brake drums, mechanical brakes and a ride not at all up to the 145-inch wheelbase. The chassis engineering is pure Henry Ford and Edsel saw no reason to change it because he knew that this type of car was going the way of the steam locomotive.
Although I hate to say it, the handling and riding qualities of this car are not up to those of a 1939 Cadillac V-16 or Packard V-12 although the utter quiet and performance of the engine is most impressive. The engine thunders to life at the push of a button and then becomes quieter than a night in a monastery. It also slows down to about 10 mph and moves up to 70 without moving out of high gear. The engine runs extremely cool, the temperature gauge not even getting up to one quarter. The steering is positive but slow. The brakes, while mechanical, are power assisted and the power is adjustable by a small knob on the dash just above the steering column.
Also the antiquity of the car, even by 1939 standards, makes it fun to drive for those who appreciate the finer qualities of the overbuilt and overstuffed grand classic cars. The driver or chauffeur sits very high and he can adjust his seat fore and aft as he pleases. A 1939 Lincoln-Zephyr handles and rides much better. Obviously, Edsel Ford knew where the industry was going.