1988 Mark VII Convertible

1988 Mark VII Convertible

Originally published in the November-December 2004 (# 261) issue of Lincoln & Continental Comments magazine.
This was a letter mailed in to the Editor by Steven Erler of Pasadena, California.

Being an avid Lincoln lover and collector, and a member of LCOC since 1974,1 am pleased to share my latest acquisition, and ask for the club’s assistance.

Last month, I was fortunate enough to purchase a 1988 Mark VII LSC convertible converted by Couch Builders, Ltd. in Florida. I have tried several avenues to secure information on the number of these cars produced, however, the company, itself, although pleasant, is rather vague on the actual production figures.

I have learned from other sources that there were between 120 and 150 Mark VII conversions done between 1984 and 1992. However, I do not have the exact breakdown of how many were made each year, or how many were LSC editions. If there is a member who can provide assistance with this issue, I would be appreciative.

For your viewing pleasure I have enclosed photos of the car. At the point of purchase and since I have have given the car “fine tuning”. The car originally spent most of its life in Coral Gables, Florida. When the original owner passed away in the late ’90s, the car was sent back to Oak Park, Illinois, to be stored at the family compound. It was then sold to a family friend, a young Chicago attorney, who used the car during the sunny season, and stored it the rest of the time. The new owner’s passion, however, was for Corvettes, so the car did not receive the attention it so rightfully deserved. Wanting to purchase another exotic car, the attorney put the car up for sale. Lucky me!

The car was put on Collector Cars.com about the time I was looking for a summer hobby and another unique Lincoln to add to my stable. I flew back to Chicago in June to look at the car, and realized it was just that, a unique and beautiful Lincoln looking for a good home and someone to appreciate her. I made an offer that was accepted, and the car was delivered to me in Pasadena, California, one week later.

The car is Raven Black with a maroon leather interior, and is fully loaded. The overall condition is outstanding, once a good cleaning, leather treatment, and a coat of polish have been applied. She has just 62,000 miles, and has checked out very well mechanically. I replaced the original Titanium LSC rims with the later, and brighter BBS rims, to give the car the “pop” it really needed. Having the lower trim removed to add the ground effects package during conversion, the car lacked a sparkle that the BBS rims added. In addition, I added a double red pin stripe. The LSC logo and Lincoln Star had originally been placed on fabric and stitched to the convertible top, However, the years have made them look somewhat tired and discolored. I decided to remove the fabric logos from the top, and added the LSC metal script directly under where the original had been. This, too, added a little dazzle to the car.

All in all, I am very pleased with the car. The fit of the fully lined and insulated top is exceptional, and the reinforced frame provides a more stable and smoother ride than my 1990 LSC coupe. With the top up, it is extremely quiet and tight. It’s funny seeing people’s reaction to the car, they can’t quite figure out why it is different, but they know it is. A few have asked if it is a Parade Car with the roof just chopped off and finished. Please!!!!!

I am looking forward to becoming more involved with LCOC and attending the Western Region Fall Meet in October in Ridgecrest, California. Yes, I will bring this car to the meet!

Thanks for your help in providing whatever information you can on the car.

Steven Erler, Pasadena, California

Lincoln Advertising in 1952

Lincoln Advertising in 1952

Originally published in the November-December 2004 (# 261) issue of Lincoln & Continental Comments magazine.

From the time Ford took over Lincoln in February, 1922, Lincoln advertising has always been as stylish as the cars. That is because Edsel Ford was a highly creative person, and he knew that good automobile advertising was an art form. See the famous 1923 Jordan ad, Somewhere West of Laramie compared to the interesting but conservative introductory 1921 Lincoln ad written for the Saturday Evening Post in 1920 by Henry M. Leland, and reprinted in the last issue of Continental Comments.

In the twenties, Lincoln had beautiful four-color ads with tropical birds in the background painted by famous illustrators of the day. The cars were portrayed in beautiful, brilliant colors, With the coming of the Lincoln-Zephyr in 1936, Lincoln pioneered four-color photography. Lincoln was not the first automobile manufacturer to use color photography, but they carried it to new heights. Remember, Edsel Ford, himself, was by all accounts a very good photographer.

In the late forties, with Edsel gone, Lincoln went back to illustrations, and went through kind of a ho-hum advertising period with the campaign slogan Nothing Could Be Finer. Even the 1949-51 Lincoln advertising showed nothing much better than the competition was doing.

Then for 1952, Lincoln came out with an all new car with an ohv V-8 engine and very contemporary styling. Their advertising theme was Designed for Modern Living which showed how well Lincoln fit in with the finest lifestyles of the time. (See the following two pages.) Brochures were an interesting combination of illustrations and photography. In the brochure Luxury With a Modern Outlook on two of the following pages, only the instrument panel is a photograph. All of the other illustrations are artwork, but you would never know it. One of the brochures, Modern Woman, is aimed exclusively at women. Advertising to women was carried to the extreme with Julia Meade on The Ed Sullivan Show, which was sponsored by Lincoln-Mercury. In Continental Comments #259, Bob Blevins, Yuma, Arizona, shared with us some of his Lincoln advertising illustrations of 1952. He sent us so many advertisements and brochures, we could not even begin to use all of them in that issue. So, here again is more 1952 Lincoln advertising from the Bob Blevins collection. Thanks for your fine contributions, Bob.

WEBMASTER’S NOTE:  The above two images would appear as one in the magazine on opposing pages.  In the interest of viewability, I have posted each page separately on this web page.

Eight Continental Mark IIs at the 2008 Western National Meet in Irvine, California

Eight Continental Mark IIs at the 2008 Western National Meet in Irvine, California

Originally published in the May-June 2009  (# 288) issue of Lincoln & Continental Comments magazine.
Photos by John Walcek and Tim Howley

Eight Continental Mark IIs were entered at the 2008 Western National Meet in Irvine, California, in October, 2008, which has to be a record for Mark IIs at any national meet in recent years and may be an all time record.

Doctor Richard and Carolyn Gray, Tiburon, California, entered a Naiad Green (light green) 1956 Mark II. They purchased the car in 1989 in Riverside from the widow of the original owner. The car was originally purchased in Lodi, California. The original owner was a general doctor in Lodi who went on to become a radiologist training in Portland, Oregon, and stayed on in Portland after his training. Within a few years he became very well known and invented the heart catherization technique used today by cardiologists worldwide in doing angeograms for coronary artery blockage. He invented the catherators that are still used today and they bear his name, Melvin Judkins. Since Richard Gray is a cardiologist he has a special interest in the car. In about 1970, Dr. Jenkins moved back to Loma Linda where he had gone to medical school and became a professor there. When the Grays bought the car it had not been running in many years and the last license on it was Oregon in 1973. The car now has 76,000 miles.

Dr. Richard and Carolyn Gray with their 1956 Continental Mark II

Recently, the Grays had the car dismantled and the paint totally stripped. After extensive body preparation the car was repainted to the original color. The interior, including the carpet, is still original as is most of the trim. Only the bumpers were replated. The engine has been out of the car three times. The valves, rings, and bearings were replaced but the cylinders were not rebored. Every time the engine went back in something else wrong was found. By the way, on these cars you have to remove both the engine and transmission together. Even after the Irvine Meet the transmission required more work, but at last everything is working now and the car is magnificent.

Tom Spiel with his 1957 Continental Mark II

Tom Spiel from Riverside entered a 1957 Mark II that was originally owned by Mike Todd and was featured in Lincoln and Continental Comments #275. It is serial number C56T3978 and was approximately the 11th from the last Mark II built and was probably built in August, 1957. The body color is Lucite Medium Grey Iridescent with a special deep red interior. Tom bought the car in very rough condition in 1969, had the car restored in 1971, and then re-restored in 1998. This second restoration took two years with Tom’s restorer Robbie Rash working on it full time. The car won a Lincoln Trophy in Irvine. Tom also owns a gold Mark II which was not shown in Irvine.

Norm Hoskins with his 1956 Continental Mark II

Norm and Nancy Hoskins, Yorba Linda, California, entered a 1956 Continental Mark II that was built August 13, 1955, making it, Norm believes, the 175th Mark II built. The color is Briar Brown Iridescent, a deep bronze metallic. It was originally sold to a Doctor Robert Engler in Helena, Montana. The doctor owned the car for many years, then sold it to somebody in Orange County. A speculator bought it from him and Norm bought the car from the speculator. When Norm bought the car it had the original paint, chrome, and tom upholstery. Norm took the car all the way down to the frame which is no easy task on a Mark II. Everything has been rebuilt including the engine and transmission. The restoration took 28 months. The odometer now shows 24,000 miles, which Norm believes to be 124,000. Norm is Director of the Western Region.

U.S. Congressman John Campbell with his 1956 Continental Mark II

U.S. Congressman John Campbell from the 48th District in California entered a 1956 Continental Mark II serial number C56C2516. He writes the following about the car.

“I have conflicting information on the original selling dealer and owner of the car. The Biche family, William and Mark, who owned the car for nearly 20 years from 1978 until 2006, say that the car was built on Jan 23, 1956 and was shipped to Harris Miller Lincoln-Mercury in the Bronx, New York, for delivery to its first owner Michael Swartz. This information was apparently obtained from The Continental Mark II Encyclopedia. However, I recently obtained the car’s production order from the Henry Ford Museum (through the ad in Lincoln and Continental Comments) and it shows the car as having been shipped to L&M Motor Sales in Glen Cove, New York, for delivery under a customer order from Mario Giardino. I’m not sure which is correct although I suspect the museum information is more reliable. I would think that 1/23/56 would be too early a build date for car #2516.

Admiring Campbell’s engine compartment.

Anyway, the car was clearly originally purchased in New York state. The second owner is unknown after which the car apparently came into the possession of one Ralph Ruoff in Rochester, New York, around 1975. William Biche (who I believe was director of a Lincoln and Continental Owners Club region on the east coast) purchased the car on 10/25/78 for $3,500. He proceeded to do a frame off restoration (done between 1994 and 1999) and the car won LCOC primary, senior, and William Clay Ford Trophy awards in 1999 and 2000. The Biche’s did not drive the car much according to their records. They only put 1,029 miles on the car between 1978 and when I bought it in May of 2008. That’s only 34 miles per year! I have already put another thousand miles on it in less than one year in my ownership. The car now has just over 65,000 original miles. I purchased the car from a dealer, Hyman Ltd., in St. Louis, Missouri. My understanding is that my purchase was the car’s first trip west of the Mississippi.

 

Diane and Keith Johnson with their 1956 Continental Mark II Parade Car.

Because the restoration now has a few years on it, and because the car had not been driven much in 30 years, I am in the process of freshening the restoration and doing a complete run through of all mechanicals, which need quite a bit of work, to make the car one I can drive and enjoy frequently and reliably.

The car is Cobalt Blue Iridescent Deep Blue (Code 02) with Light Blue Biscuits and Medium Blue Bolsters (Code 1A1A). Biche’s information is that there were only 124 cars built with this exterior color, 31 with this exterior/interior combination, and 16 identical to this one (no A/C or bumper guards).

John Boccardo’s 1956 Continental Mark II.

I have loved Mark IIs since I was a little kid and have always considered them a timeless and iconic design. Before entering politics, I was in the car dealership business for 25 years and was a Lincoln-Mercury dealer in Anaheim, California, for a short time in the early 1990s. I look forward to many years with the LCOC and this car!”

Keith and Diane Johnson’s Cobalt Blue Iridescent 1956 convertible is not really a convertible. It is a parade car made from a parts car that at one time was owned by the late Charles Faye. The roof was badly rotted because there had been a vinyl top. So Keith cut off the top. The car was very good mechanically but everything was gone through. The interior is all vinyl. Keith owns an auto body shop and lives in Calabasas, California.

David Sutliff’s 1956 Continental Mark II.

John Boccardo, Palm Springs, California, who entered a Medium Gray 1956 Continental Mark II at Irvine was unavailable to tell us about the car. David Sutliff, Burley, Idaho, entered a White Lucite 1956 Continental Mark II. His story could not be completed by the time of publication. Christopher Cimarusti, Manalapan, New Jersey, who entered a black 1956 Mark II at Irvine, has written a separate story about his car.

Vintage Gas Pumps and more in the Art Astor Collection

Vintage Gas Pumps and more in the Art Astor Collection

Originally published in the May-June 2009  (# 288) issue of Lincoln & Continental Comments magazine.

One of the best places to see old gas pumps and related artifacts and old radios and television sets in Southern California is the Art Astor Collection in Anaheim, which was visited at the LCOC 2008 Western National Meet. The collection is primarily automobiles, a couple hundred less since Astor’s auction last June, but it is also much more than automobiles. Art Astor is a pioneer broadcaster in California and his collections of telephones, microphones, vintage radios and early television sets is fascinating. Let’s begin with his early service station memorabilia.

It’s hard to believe there was a time when service stations actually performed service, but up until about 1960 they actually did. They wiped your windshield, checked your water and oil, checked the air in your tires, and gave you road maps and cheerful directions, all for free. In those days petroleum was cheap and the business was highly competitive.

Service stations were brightly decorated, nobody pumped his own gas, and there were cheerful attendants who actually made you feel welcome. The biggest welcome signs of all were the multi colored visible pumps with their many colors of gasoline. Petroleum companies would dye their fuels – Sunoco blue, Standard red, Gulf orange, Sinclair green, Royal purple, etc.

While we only saw one “visible” pump at the Art Astor collection, this design is where gas pump collecting started. Visible gas pumps began to appear shortly after World War I. The attendant would hand pump the gasoline up into the glass cylinder where the motorist could see just how pure the gas was and how many gallons he was getting. At first cylinder size was limited to five gallons. Eventually 10-gallon cylinders were legalized. In 1920, the nozzle shutoff was introduced so the attendant no longer had to worry about overflow. In 1923, the Wayne Pump Company introduced a visible electric motor driven pump. Now the attendant could use his arms to serve the customer instead of turn the crank or pump the handle. Purer gasoline was taken more for granted, so by the thirties the monster visible pumps were no longer quite the attractions of earlier years.

ABOVE: 1958 Chevrolet Impala Convertible with Twenties Visible Style Pump

ABOVE: Cars are still the mainstay of the collection.  Above is a 1951 Mercury Monterey Coupe.

ABOVE: A 1931 Model A Ford Victoria

The pumps in the Astor collection are primarily from the 1930-1960 era. The year 1930 saw the introduction of metered pumps. At last the motorist had something new to watch besides the rise and fall of the level of gasoline in the glass cylinder. Now he could watch the hands of a clock, the hour hand ticking off the gallons and the minute hand the fractions of gallons. Still the attendant had to sell the customer gas in gallons, then compute the price from a card plainly displayed on the pump. Finally, in 1933, the Wayne Company introduced its “Head for Figures”, an intricate clockwork of gears which computed not only gallons but the cost of each 1/10th of a gallon. At last gas could be sold by the dollar’s worth rather than by the gallon. Pumps got smaller and less ornate, but the globes remained for years. The Art Astor collection has pumps of every description from this era.

Hand and hand with pumps go the old time gas pump globes. They were always milk glass. Gilbert and Barker introduced the first globes in 1912 on top of the newest five-gallon hand pumps. The electric globe was the only thing electric on the pump. The purpose of the globes was to serve as a beacon for the traveler after dark and to aid the attendant in dispensing gasoline at night. The beacon also meant that the station was open at night.

The first globes were round and quite small. They looked like the old time globes at each end of the police department’s sergeant’s desk down at city hall. Later, they were circular and convex on each side. The earliest ones merely carried the words “Gasolene” or ’ ’Filtered Gasolene”. The “e” changed to “i” after World War I. In the twenties the globes carried the brand name and symbol.

In the twenties globe makers got the idea of encasing two convex glass plates in a steel frame. By the fifties the glass plates were replaced with plastic. Eventually, the expensive globes were replaced simply with lights atop the more modem pumps.

One of the most sought after globes today is Standard of Indiana’s Red, Blue, and White Crown formed in the shape of a regal crown. But it was far from the rarest. Over the years there were some 900 different brands of gasoline and every one had its own globe.

Before gas prices went through the ceiling and customers became nobodies, globes stood for service. Some of us are old enough to remember the Milton Berle television show in the early days with uniformed attendants singing, “We are the men of Texaco, we work from Maine to Mexico…under the smiling Texaco service star.” It was a song and dance routine to equal anything done by Busby Berkeley. The uniforms were snappy, the bow ties were genuine leather, and those Milton Berle Texaco commercials actually made viewers look forward to “and now a few words from our sponsor.”

Speaking of the sponsor, Art Astor’s old radios and television sets will take you back to the days when Jack Benny’s quartet sang the Lucky Strike Song and Edgar Bergen and Charlie McCarthy poured you a cup of Chase and Sanborn Coffee on Sunday night radio. By 1949, radio was being replaced by those little twelve-and-a-half-inch black and white television screens carrying the earliest television shows like Kukla, Fran and Ollie and Sid Ceasar and Imogene Coca’s Show of Shows. Vaudeville had come off the stage and into everybody’s living room. And boy does Art Astor have all the old radios and television sets to bring back the memories for those of us old enough to remember anything before color television, cable, and video tape.

Broadcast television made its American debut at the New York World’s Fair in April, 1939. A handful of receivers were available by the end of the month from RCA. It was possible for RCA to provide the first telecasts as they also owned NBC. Television shows aired only three or four evenings a week. There were only a few hundred sets scattered throughout the New York City area. Boxing and wrestling were early attractions. Baseball and football were too difficult for the early cameras and small screens to follow. A few news programs and studio dramas were attempted but nothing on a regular basis.

While several manufacturers announced sets only RCA sets sold in any quantity. By the end of 1939 only about 2,000 sets had been sold by all manufacturers. RCA offered five models. There were two with five-inch screens, two consoles, and a table model. The table model was sight only and required a radio for sound. The two consoles offered a nine-inch and a 12-inch screen. The 12-inch screen was mounted vertically and aimed at the ceiling. The image was reflected off a mirror mounted in the lid of the set and directed at the viewer. Both consoles featured built-in radios. The 12-inch model was by far the most popular. Priced at $450 only about 300 were sold. It is estimated that fewer than a dozen survive today. It was from these simple beginnings that television grew.

Of course, the big attraction of the Art Astor Collection remains the automobiles but the number of cars is now down from about 300 to 80, and there are very few classics and no Lincolns left. Still, it is a wonderful place to visit.

ABOVE: 1954 Philco Predicta Television Set

ABOVE:  Thirties Console Radio

ABOVE:  Collection of old time radio microphones.

ABOVE: Early telephones in the Art Astor Collection.

ABOVE: Early small screen table model television sets.

ABOVE: 1939 RCA Nine-Inch Console Television Set with radio.

Lesley’s 1958-60 Lincolns

Lesley’s 1958-60 Lincolns

ABOVE: Lesley’s 1959 Lincoln Premiere Landau bought from the estate of the original owner.  It runs and drives.

Originally published in the July-August 2002 (# 247) issue of Lincoln & Continental Comments magazine.

The largest known collection of 1958-60 Lincolns and Lincoln Continentals belongs to LCOC members Hugh and Joyce Lesley, Oxford, Pennsylvania.

While the Lesleys own only two 1958 Lincolns and no 1958 Lincoln Continental Mark Ills, they own 13 1959 Lincoln Continental Mark I Vs and one 1959 Lincoln, 15 1960 Lincoln Continentals and 10 1960 Lincoln Premieres and Lincolns, for a total of 41 Lincoln Continentals and Lincoln Premieres, Capris and Lincolns from the 1958-60 era. In addition, they own 232 other Lincolns from the 50s, 60s and 70s, mostly the 60s and 70s. They own 126 Mercurys from 1939 to 1979, 156 1958-60 Edsels, 38 Fords from 1940 to 1986, and four Thunderbirds from the 1968-70 era. One of the Mercurys is a 1979 Hearse in Robin’s Egg Blue. The 1940 Ford is Hugh Lesley’s first car which he bought when he was only 16 years old. He has been across the U.S. twice in this car. Hugh Lesley writes “ I didn’t realize I had this many cars until I took inventory for Continental Comments.” A few years ago he sold a 1958 Lincoln which someone had customized into a four-door convertible many years ago.

The Lesleys do not hold a record for the number of Lincolns owned by one per son or family. That record still belongs to the late J.C. Daniels with his 450 Lincolns in Pampas, Texas, and as far as we know that collection still has not been sold. But the Lesleys well may hold the record for the largest number of Ford built cars owned by anyone in LCOC. Bert Huffman holds the record for the largest number of HV-12s owned by any LCOC member. We will all get a chance to see Bert’s collection at the 2003 Eastern National Meet in Hickory, North Carolina.

1958-60 Lincolns are definitely on the increase at our national meets. No less than five convertibles from this era were entered at the 2002 Eastern National Meet in Nashville, Tennessee.

BELOW: The Lesley’s former 1958 Lincoln customized to be a four-door convertible.

If You Got ‘Em…Drive ‘Em!

If You Got ‘Em…Drive ‘Em!

Originally published in the September-October 2019 (# 350) issue of Lincoln & Continental Comments magazine.

By George Masters

For those of you that are veterans and remember the old smoke break term, “If you got ’em, light ’em up”, I now refer to our classic  cars, and the emphasis here is “cars,” plural.

We recently took in a car that has been in this guy’s garage since 1998. He hasn’t started it nor has he driven this car since the bodywork, wiring, and paint were completed back then. It just sat in his garage needing the finishing touches done. I’d ask him every year or so, “How’s the car coming along?” He’d always shake his head and smile. Well, last April, I asked him that question, and surprisingly, he told me that he was ready to move onto the next step, which was getting the interior done. To secure the deal, I told him I would need $1,000 down, and then I could get it into the upholsterer’s schedule. Sure enough, the deal was struck and  scheduled for late summer 2019. I insisted that it be ready and running. “No problem,” he said. “I’ll have some of my buddies get it running.” Well, long story short, when we went to pick up the car, it would not start, so I got the truck and trailer and hauled it to my shop. Since it was not running, we took the bowl off the carburetor and guess what? There was sludge and gunk in the bowl. This was just the beginning. We wound up pulling the fuel tank, replacing the sending unit, cleaning out the fuel line, replacing the fuel pump, changing the fuel filter, and even buying a new carburetor. Then it was running!

My point is, why do we have these cars? Why do we have one, or two or more cars? Is it the prestige of being able to tell our friends which cars we own? Is it for the investment? Are we saving them for our children or grandchildren?

I have another story. My buddy had a beautiful car which he babied, washed often, waxed regularly, and generally treated it like a king would. He decided to buy a newer one and took his “Pride and Joy” to the dealer where he traded it. After we unloaded it, the car sat outside on the lot for three weeks exposed to the elements. Did he enjoy his ownership? Well, I’m sure he did, but for whom did he save it? I know another fellow who also has a beautiful car, and it just sits. He doesn’t take it out but maybe once a year. If there are clouds in the sky, it stays in.

So, in summary, I’m asking you to think about why you own one or more collectible cars. They were made to be driven, so think about your beauties and, “if you got ’em, drive ’em’!”

George Masters is a member from Minot, N.D.